18 October circa 1720: Peg Woffington, the most beautiful and talented actress of her Age, was born in Dublin on this date. She was born into poor circumstances in the Dame street area of the city centre. Her father was a bricklayer but died when she was still a child leaving her mother and her siblings to fend for themselves. At an early age she displayed a gift for the stage and in between helping her mother sell watercress on the streets of Dublin she developed her career in the City's theatres.

At the age of 10 she had made her stage debut in a Juvenile production of The Beggars Opera. She made her name in Ireland as Ophelia in a 1737 production of Hamlet and came to London in 1740. There she was an immediate success. One of her most celebrated roles was as Sir Harry Wilder, at the Theatre Royal, Drury Lane. She caused quite a stir in this part by wearing breeches. 

Woffington enjoyed success in the role of Sylvia in The Recruiting Officer. She performed at Drury Lane for several years and later returned to Dublin, appearing in a variety of plays. Her most well-received performances were in comic roles, such as elegant women of fashion like Lady Betty Modish and Lady Townley, and breeches roles. But she was impeded in the performance of tragedy by a harsh tone in her voice that she did her best to overcome.

She lived openly with David Garrick, the foremost actor of the day, and her other love affairs (including liaisons with Edward Bligh, 2nd Earl of Darnley and MP Charles Hanbury Williams) were numerous and notorious. For whatever reason, Woffington left Garrick in about 1744 and moved to Teddington, into a house called Teddington Place.

She pursued a successful stage career in London and also briefly in Paris. When she returned to Dublin she was a sensation as people flocked in droves to see her perform at the famous Smock Alley Theatre. Again though her amorous affairs cost her dear and she departed to once again to act upon the London Stage.

But tragedy struck short her career when, at London’s Covent Garden in 1757, and playing the part of Rosalind in As You Like It she took ill on stage and could not continue. Her last words as an actress were:

If I were a woman, I would kiss as many of you as had beards that pleased . . .

A spectator described what then happened:

Her voice broke, she faltered, endeavoured to go on but could not proceed – then in a voice of tremor cried ‘Oh, God! Oh, God!’ [she] tottered to the stage door speechless, where she was caught. The audience of course applauded until she was out of sight and then sank into awful looks of astonishment . . . to see one of the most handsome women of the age, a favourite principal actress . . . struck so suddenly by the hand of death.

Tate Wilkinson, Memoirs 1790

A broken women she lingered on for a number of years but never made a full recovery. A generous benefactor she died in her house at Teddington, London on 28 March 1760.